Paintings: Pre 1900

 Eigyou (fl.1830-1844) - Phoenix

Eigyou (fl.1830-1844) - Phoenix

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PRICE : $6200  

Item Number : 1139383

ARTIST :
The work is signed Genjyusai Eigyou Yasuyuki. He is listed as an Ukiyo-e printmaker in Roberts p.20. Eigyou (fl. tempo era 1830-1844). His art names were Genjyusai and Eigyou. Additional research reveals that his given name was Yasuyuki though his family name is unkown. As noted in Roberts he was a pupil of Hosoda Eishi (Chobunsai Eishi) in the last years of the master's life and specialized in the painting of beauties or bijin. His paintings are held in the Kumamoto Prefectural Musuem and the Hiraku Kinnenkan in Hidatakayama.

AGE :
first half of the 19th century

SIZE :
The large image measures 26'' by 38'' (67 by 97 cm). The scroll measures 63'' by 42.5'' (160 by 108 cm).

DESCRIPTION :
A magnificent phoenix resting in a paulownia tree from the first half of the 19th century. The phoenix is a mythical Chinese bird, thought to have been introduced to Japan in the Asuka period (mid 6th to mid 7th century AD). The phoenix has a bird's beak, a swallow's jaw, and a snake's neck; the front half of its body is thought to resemble a giraffe, the back half a deer. Its back resembles a tortoise, and its tail is like a fish. In Japan, as earlier in China, the mythical Phoenix was adopted as a symbol of the imperial household, particularily the empress. This mythical bird represents fire, the sun, justice, obedience, fidelity, and the southern star constellations. According to legend, the Hō-ō appears very rarely, and only to mark the beginning of a new era -- the birth of a virtuous ruler, for example. In other traditions, the Hō-ō appears only in peaceful and prosperous times (nesting, it is said, in paulownia trees), and hides itself when there is trouble. As the herald of a new age, the Hō-ō decends from heaven to earth to do good deeds, and then it returns to its celestial abode to await a new era. It is both a symbol of peace (when the bird appears) and a symbol of disharmony (when the bird disappears). Above text courtesy of JAANUS and Onmark productions.

TECHNIQUE :
ink and color on silk

CONDITION :
The painting itself is in good, original condition. There are light marks visible on the right side, particularly above the extended tail feathers. The scroll presents quite well as is although a remount is recommended. Please contact me regarding this.

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